
Stealth Standard
Recommended for engineers & players 6′0″ and under.
- Lumbar backrest
- Standard seat
- Standard Casters
- 4D Removable Arms
- Adjustable Footring
- 2 Included Piston Heights
Traditional stools weren't built for a full set, a long rehearsal, or a residency gig. The Stealth Performer gives seated players a real backrest, real adjustability, and real support — without getting in the way of your instrument.
SHOP THE PERFORMEREvery Stealth Chair starts from the same battle-tested platform — including the Performer, our stage-ready stool. Choosing the right one comes down to two simple questions.
Tap a choice to filter the models below ↓
Height is the only thing that decides Standard vs Pro. There's no weight limit — every Stealth Chair is built tough.
“Executive” changes only the backrest — a larger one. Everything else stays the same. If you want to lounge, go with the Executive.
Playing, not mixing? The Performer is our stage build — two piston heights, footring and chair glides, no arms.

Recommended for engineers & players 6′0″ and under.

Recommended for engineers & players 6′0″ and under.

Recommended for engineers & players 6′0″ and taller.

Recommended for engineers & players 6′0″ and taller.

Recommended for guitarists, keyboardists & vocalists.
Every Stealth Chair includes two pistons: a Studio / Desk height and a taller Touring / Standing-desk height. When assembling, pick the one that meets your needs.
Every Pro and Pro Executive ships with two sets of wheels — standard casters and our larger 4″ TourMax casters. You decide which to roll on.
Toolless removal means you get to pull them off when you need clearance and drop them back in when you don't.
The kit, the pedalboard, the neck of the thing you are holding — they dictate where your body goes. The chair should not be arguing with both of you. Three questions.
This is the position conventional seating is worst at. Mandal's point is anatomical: chairs assume around 90 degrees of hip flexion and most people have nearer 60, so the shortfall comes out of the lumbar spine and your lower back rounds. Lean further and the backrest stops touching you, leaving those muscles to hold your torso unaided. Soderberg's EMG work found that tilting the seat forward significantly reduced exactly that muscle activity.
Upright is only half of it. Arms held forward and unsupported load the shoulder girdle continuously, and on a flat pan your pelvis is still rolling back underneath you — the hip-angle shortfall Mandal described does not care how straight your back looks.
Perching opens the hip angle, which is the constraint Mandal identified — you stop borrowing movement from your lumbar spine because you are no longer asking the hip for more than it has. The catch is real and measured: Hamaoui found sloped seating raised thigh and calf muscle activity by 1.5 to 2.5 times. That is an argument for a footring, not against perching. Give the legs something to brace on and the load has somewhere to go.
Standard seat, 18.5 by 16.75 inches. A pan wider or deeper than your frame is not more generous, it is less supportive: the seat should end before your thigh does, or the front edge stops carrying you and starts pressing into the back of your leg.
Pro seat, 20.25 by 19.5 inches, with more cylinder travel. Both models are rated to 350lb — the difference is footprint, not strength. Too small a pan concentrates your weight into less tissue area, which is where numbness starts on a long day.
Stage Glide Casters, most likely — non-marking and broadcast-quiet, giving controlled roll rather than free roll, which is what you want when a chair moving during a quiet passage is a noise problem before it is a safety one. Every set includes a locking caster. Full glides stop movement entirely, but most players would rather keep the ability to reposition and lock it off.
Duration changes which variable matters. Wilke's work points at movement rather than posture as the thing that keeps a disc supplied, so the useful property over a long session is being able to shift constantly without ever leaving support — not finding one correct angle and freezing in it.
Then weight rating and serviceability beat any comfort feature. Every part is stocked, so what breaks in transit is a part rather than a purchase.
The core chair. Patented forward-lean motion and a Free-Float backrest that stays in contact as you move, sized for a frame under 6ft and 200lb.
Seat 18.5" × 16.75" · rated to 350 lbs · 5-year warranty
See the StandardSame mechanism, larger footprint, more cylinder travel. For a taller or heavier frame, a shared chair, or a day long enough that adjustment range matters more than anything else.
Seat 20.25" × 19.5" · rated to 350 lbs · 5-year warranty
See the ProPerch height with a backrest and a footring — which matters, because the research on sloped seating found it shifts load onto the legs unless they have somewhere to brace. Runs on the same caster options as the chairs, including the 4-inch TourMax wheels.
Perch height · footring · TourMax, stage glide or standard casters · 5-year warranty
See the PerformerThese are published ergonomics findings about seated posture in general, not tests of this chair, and none of them are medical advice. We have included the study that disagrees with us as well as the ones that support us. If your back hurts, see someone qualified.
Mix, master, and produce in comfort — built for the forward lean at the console.
Learn MoreFrom soundcheck to encore — Stage Glide casters and tour-tested durability.
Learn MoreMarathon recording sessions, boom-arm posture, and control-room comfort.
Learn MorePlay longer, sit better — a performance seat that supports your craft.
Learn MoreSunday services and rehearsal nights — all-day comfort at the sound booth.
Learn MoreColor grading, timeline scrubbing, and multi-monitor precision work.
Learn MoreLong streams, live chats, and on-camera posture that holds up for hours.
Learn More